Posted 2024-February-13, 10:36
Oh, come on. Yes, their explanation is poor, because they can't understand why nobody can not understand how they play, because it's so obvious given their system. Not the first pair - not even the first pair playing at National Championships.
And people of expert level are "oh my god, this is so hard to work out, they must be trying to hide what they're doing" here?
If I said when you asked about my 1♣ opener "3+, any strength", what would you expect? We don't have a strong opener and it could be 28? Or that we're playing ACBL's Correct Bidding Lessons 2/1, and I mean "11-21; if balanced, outside the NT range(s)"?
"1♦ is 5+". Make a pretty basic assumption, given that statement (or check the bloody card) that they're playing 5cM as well, then we know exactly what "1+ clubs, any strength" means. It means that they're playing a standard or 2/1 system, with a strong 2♣ opener and (probably, again, check the card) default NT ranges, and 4441s get opened 1♣ instead of 1♦.
As well as the 4342s and other hands that the "transfers/1♣" players stick in their "obvious" "clubs or balanced" bids. And the 4432s that the LOLs do, that are considered "Natural" by the ACBL. And the 3433s that 90% of North Americans do.
Yes, they should be able to explain that more clearly, but "it's a normal opener, but since 1♦ is 5+, we open 4441s 1♣. And the ACBL (for instance) requires us to announce 'Could be 1', so we did. When you asked, we explained why." See how they can't understand why you can't understand? It's Obvious.
"They play something weird, so I get to turn my brain off"/"their disclosure has to be 100% and IOTTMCO or there's an 'ethics problem'" is a scourge on the face of bridge, and is the biggest way experienced players turn off new players of the "explore"/"system freak" variety - or players trying out something new/strange for the first time. Who tend to be younger, not even the "new retired" ones - and also tend to have earning potentials that lead to having "free money to spend doing cool things" - once they also have free time for them, at least. For those wondering where all the bridge players to replace the ones dying off are going to come from...
And yes, I am well known for playing unusual conventions/systems, have been my whole life, and probably never will truly shift to homogenous(*) ACBL 2/1. And I also am well known for stating that people who play something strange have a higher disclosure requirement than "standard" (even though they shouldn't. But there are shortcuts "standard" players get away with that "weird players" can't. In fact, see above). But, seriously?
For all the much more experienced than I players in this thread and elsewhere, I offer a suggestion I normally offer to the B players (frequently when playing against that one Precision pair whose explanations I've had to adapt for them to be understandable "for normies" three or four times already). Call the [-]ing director, and tell them that you've been given <this> explanation and you still don't understand. It's just possible that the director, looking at things from their twisted direction and not locked into the "can't understand" loop that the table is, will get it. And will be able to explain it in "flight A". And will be able to assist the "1+ club" pair with an explanation that will avoid this confusion in future. And won't lead to "ethics problems" - either the disclosure kind or the accusation kind.
Having said that, disclosure like E/W and being "upset" that the opponents don't know what their 1NT in balance by a passed hand is - in general (probably) or specifically against a 1+ club - is a bit rich. "They have no agreement in this situation. They aren't required to tell you what they meant it as. They should tell you what they play if it were a 3+ 1♣, if they know it, or what they know their local clubs play it as, if they know that. But they don't have to even have discussed this auction, never mind come to an agreement."
Of course, I played a midnight in Penticton with a strong novice one year, and in the finals against two fellow directors, pulled out a "passed hand balancing 1NT(**)". Which partner totally didn't read and raised to 2. And I made (because at 0130, playing against people who really don't care, and after 12 hours of thinking bridge, I Am A God. Of course we lost, why do you ask?) My fault, I hoped she'd know.
(*)"As you know, you always have to start with a homogenous chorus. I know a lot of people are going to say that isn't homogenous, that's homogeneous. But that isn't what I mean: I mean homogenous, as in milk." - Anna Russell, "How to Write Your Own Gilbert & Sullivan"
(**)Well, actually, I pulled out a "passed hand balancing '1 No Hope'". I'd gaffed my bidding box during the evening session and nobody ever noticed when I swapped boxes.
When I go to sea, don't fear for me, Fear For The Storm -- Birdie and the Swansong (tSCoSI)